林育聖

Trace

Lin, Yu-Sheng
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我使用拼格的方式來製造「動態」影像。《軌跡》裡，我擷取了許多不同時刻所拍攝下的籃球飛行路徑，拼合成為一條球的飛行路徑。某一種「暈眩感」是這件作品最想傳達出來的部分。它不是一個純粹觀念性、思辯性的作品；它希望激起觀者強烈的身體感，一種從現實世界脫逸，但卻沒有方向、沒有目的，甚至在來不急思考的當下再度被拋擲回現實世界的種種先於意識的感官活動。我想透過這樣建立在理性科學思維上的方式來挑戰感性活動，而這也正是我一直所追求的，藝術令我著迷的部分。
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I used montages to create “dynamic” images. In the work “Trace” I captured the flight of a basketball using photographstaken at many different moments in time and assembling them to show the ball’s trace.The work is really trying to conveya sense of dizziness. It isn’t purely conceptual or mental work. I wanted stir up an intensely physical feeling in viewerkind of escaping the real world and having no direction or goal, and then, without even having to think, being hurledagain into real world sensory activities that come before consciousness.I wanted to use this kind of method establishedon rational, scientific thinking to challenge people’s sensory activities. This is something I have always chased after, andis why art fascinates me.