Sarah Jane Pell
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2002年,我開始評論藉發展水中水染作業所進化的人類科技城。水染化一詞用以說明當代表演練習、商業潛水作業與生活支援草案間的研究。此業務的發展包含超訓練的使用說明,這些說明是有關我的體認變化,此作業四周美學的保護,在水中精神之旅與水中身體本體感覺的反應,視為活的實例對研究的挑戰。獻身此策略促使我能在心理測量方面規劃出人類行為表現的新領域,並限制在廣闊的環境內,當作新的活藝術作品。不慎地水染化提供新水哲學,使人類身體位於水域之中。
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In 2002, I set out to critique the evolutionary technicity of human beings by developing the practice of Aquabaticsunderwater. Aquabatics is the term I use to describe the research between contemporary performance praxis, commercialdiving operation and life support protocol. Development of the practice included transdisciplinary documentation on thechanges of my cognitive awareness, the aesthetics of care surrounding the practice, the spiritual journey and proprioceptiveresponses of the body underwater as a live(d) practice-as-research challenge. Commitment to this strategy enabled me topsychometrically profile and map new territories in human performance behaviours and limits in extreme environmentsas new works of live art. Inadvertently, Aquabatics proposed new aqueous philosophy to situate the human body in/of/asa body of water.
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