瑪麗亞卡拉蔻法

Rulsaka V Temnote

Mariya Kalachova
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對大多數西方文化人們而言，童話在卡通方面已回歸至普通的娛樂。不過，根據經驗，此藝術作品類型具有無可匹敵的能力，透過十分普通易解的珍貴語言，深度地傳達人類情感與社會同情心。此類型優秀的機構，迪士尼有童話作品著述業的優秀群。童話電影在社會文化根基與意義方面，其創意性程序，就交換價值而言，一向不受重視。
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藉由分析卡通片發展成我們今天所見的童話，我的研究展現一種可瞭解的回歸式童話故事類型。漢斯基督教的安徒生的Den Lille Havfrue ，與迪士尼改編的小美人魚的對比引導出此論述。在本研究中，明白發現著述業的議題，探究此優秀工商業機構電影導演的「聲音」，此聲音故事敘述者必須超越它，如此才能達到童話自述性的目標，避免商品崇拜與不良影響的講述方式。
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為說明此研究，製作了3D卡通短片，以喚醒一些在受到不良改造之前童話類型所表現的價值與美學。嘗試製作自己版本的Den Lille Havfrue ，並使用童話類型傳達自己所要表達的意義。故事重點在小美人魚，在深海中尋找落海的船員，與他一起跳舞，直到發現他不能在那裡生存。故事表達的訊息是，由於社會不同文化的差異，我們常常讓彼此在可怕的危害之中，而不自覺。影圖像的著迷狀態，創造一種對模糊糾結的死亡反映。
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For most people in western culture, the Fairy Tale genre has in animation regressed to a mediocre entertainment. In myexperience however, this is a genre that has an incomparable ability to communicate deep human emotions and socialunderstanding through a language that is universal enough for all people to understand and appreciate. The dominantframework for this genre, the Disney Company, has the Fairy Tales’ authorship to commodity fetishism. The creativeprocess and socio-cultural roots and significance of Fairy Tale films have been ignored for their exchange value.
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My research develops an understanding of the regression of the Fairy Tale genre by analysing the development of animationinto the Fairy Tales we see today. This discourse is driven by a contrast of Hans Christian Andersen’s Den Lille Havfruewith the Disney adaptation The Little Mermaid. Issues of authorship are found evident in this development, questioningthe ‘voice’ of the auteur over the dominant commercial and industrial framework over which a storyteller must transcendin order to achieve an objective, self-expressive Fairy Tale free of commodity fetishism and institutionalized narrative.
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In response to this research I have created a short 3d animation which tries to recall some of the values and aestheticpresented by the Fairy Tale genre before its institutionalisation. I have tried to make my own version of Den Lille Havfrueand use the fairy tale genre to voice my own message. The story centres on a mermaid who, upon finding a drowningsailor in the depths of the sea, dances with him until she realises he cannot survive there. The message of the story is thatbecause of our socio-cultural differences we often put each other in great danger without realising.